NIMUE GALLERY

Nimue Lattanzi, a baby art performer.

Nimue Lattanzi, born into an artistic lineage, began painting before she could walk. She was a year and a half old, seated in her high chair, and color was already a living substance for her—something to touch, to feel, to inhabit. Her first tools were finger paints: colors designed for children, yet in her hands they became a primordial gesture, a direct contact with the surface.

At first, there were imprints. Hands and feet immersed in color left traces on paper, like marks of presence, like a first affirmation of being. Then came the desire to pour the color, to let it fall freely from the jar onto paper or canvas. At times it was necessary to restrain the impulse to empty everything at once, yet even in that gesture there was a clear expressive urgency: a need for abundance, for flow, for excess.

From that moment on, exploration became instinctive and open. Inks, pencils, and markers joined the process, and soon brushes appeared as well—not to draw forms, but to accompany the movement of color, to spread it, follow it, listen to it. If at first I painted beside her to support her, shortly after the age of two Nimue was already choosing her own colors and deciding, with absolute naturalness, when a painting was complete.

She spent long stretches of time painting, often alone, sometimes asking only for a silent presence beside her. The phase that now appears most intense and surprising from a creative perspective is the one between a year and a half and two and a half years of age: a time when the gesture was not yet mediated by intention, but arose directly from the body and from perception.

In the years that followed, she moved through different chromatic seasons, carefully selecting dominant colors—red, black, yellow—until arriving at a series of monochromatic works in which pink and black became field, breath, atmosphere.

From the very beginning, her works were entirely abstract. Only later did Nimue begin to attribute figurative meaning to the patches of color, describing what they represented for her. As if the image arrived after the gesture, as if meaning slowly emerged from matter, following the inner time of vision. 

Nimue was born on 26 February 2021. The paintings you see in this gallery have been done between 2022 and 2026. 

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Testimonials

"When you get in touch with Gianni Lattanzi, without any difficulty, a never ending space opens wide, at the same time present and explorable. With the sole sense of touch and intuition you confide yourself a bit anxiously, proceeding blindly toward and inside him.Nobody knows the direction of the journey, how long il will last and neither if it will last, but you go on till you get in touch with him, establishing a silent and smiling conversation.

He answers the same way, silently, welcoming us. It is a mutual opening up, two streams mixed together in a game of colors and warmths to wave together in to a powered energy. The soft reflection's game initiates an alternate dance, pushed in to a spiral which recalls and involves by empathy surrounding observers. And suddenly, easily and totally, here it comes the opening which unties personalities, generating their own beautiful peculiarities.

A generous and overwhelming strength generates out of this peculiar "emersion", accompanying and, since now, nurturing our life, with an extraordinary courage of a serene dignity of being."

Laura Turco Liveri, Critico d'Arte

"When he works, he submerges himself totally into the creation of his paintings. Observing him is something captivating. What really impress you are the determination of his gestures; the strength of his hand while holding the brush; the confidence in which he draws from chance. When he portraits somebody, all his being interacts with that person. He is able to establish such a deep contact with the subject, to merge himself into it. For this reason the lines he draws flow in a natural way as if they knew where to go, when to stop, when to become thicker and when to get thinner. It is a dance guided by the sound of flow, as a running stream. Very disciplined therefore, but not so much in learning how to draw. He just did not need it but knowing how not to be sweep away by the flood of his creative energy. His training was "sui generis" and brought him to explore thousands of facets of his creative dimensions, to discover unexpected lands as that of poetries that artists often join to the paintings.

A journey which allowed him to reach an expressive freedom so bold to be frighten, so true to be moved and so beautiful to be wishing to share.It helps us to understand that art is a dimension of life. Indeed, it is life itself."

Lella Antinozzi, Critico d'Arte

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These courses are designed to help adults and children connect with their inner world, unlock creativity, and transform feelings and ideas into color, lines and matter.

No experience required. Only the willingness to immerse yourself in color, lines and matter.

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